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valentino
the color palette was made up of silver, black and nude. the show definitely got better as the show went on. the last few looks were spellbinding. the beautiful gleam of the beadwork, the mystery of the voluminous black skirts adorned with ruffle or tulle, and the fun use of feathers was great to behold. i enjoyed this valentino couture show much better than the spring 2009 one because this one doesn't feel too old-ladyish. heavy use of lace was used, and that was a bit boring; i'm so tired of the lace and nude combination, we've seen it everywhere. yeah, it's a nice combo, but i need a break from it. the first look on the left is a nice rendition of the black lace and nude look. i love the corseted bodice and ruffly skirt and the beautiful taupe satin shoes with ruffles at the back. the black LBD you see next is not just any LBD, it has HUGE black ruffles coming from the sleeves. i must see this on the red carpet. it is pretty much one of the coolest LBD's ever. i absolutely love the silvery confection worn by snejana onopka (third from left, i hope i spelled her name right). it looks fab with those shoe boots. my favorite piece from this show i think is the wonderful nude, slightly iridescent and crystal sprinkled gown to the far right. if that isn't red carpet/wedding/editorial worthy, i don't know what is.
jean paul gaultier
this show featured a lot of sharp shoulders and oodles of leather. the makeup was dark, sexy and fierce and a lot of inspiration was drawn from hollywood's femme fatale--with the first model (lara stone) walking out looking like bridget bardot. i really loved the scaled leggings that looked like they were made from two giant brown fish. that sounds weird, but they just looked so...haute ;). i love the fierceness and wearable avant garde looks that gaultier brings to the runway. the second look from the left is also in the group of one of the coolest LBDs in the world, with patent detail at the bust and chevron detailing down the skirt. and the look to the far right is very thierry muglerish. it is very current but the styling makes it look fit for an old hollywood film.
elie saab
the show was exquisitely beautiful and rapturously feminine as we have come to expect from elie saab shows, whether couture or ready to wear. every piece was white, and a lot of times it reminded me of the recent all white chanel show that featured white paper origami head pieces and divine dresses, tops and jackets with white folded flower appliques. despite the resemblance to the all white chanel show elie saab's fall 2009 haute couture presentation definitely had a different feel to it. elie saab makes clothes for the woman who looks beautiful and goddess like all of the time, the woman who smells and looks like the most precious flower and has (or appears to have) everything figured out. as already mentioned, all of the pieces were white and all of them were adorned with either tulle flower appliques, crystals or ostrich feathers (among other things). yes, the show strongly resembled the all white chanel tour de force, but i'm going to try and look past that and see the beauty of this collection, which (frankly) is undeniable.
i hope you've enjoyed this post, leave me comments on what you think about these collections!